Recent Reading: Sundial
Jun. 25th, 2025 05:35 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I don't actually remember where I saw Catriona Ward's Sundial recommended, but it was somewhere and convincing enough to get it on my TBR. I finished the audiobook this week so it's time to reflect.
Sundial is a domestic psychological thriller which focuses on the relationship between the protagonist Rob and her eldest daughter Callie. Or at least, that's what the novel summary claims. A good 50% or more of the book is actually about Rob's youth and her relationship with her childhood family, primarily her twin sister, Jack. I didn't get that at first, which led to me being slightly frustrated by the length of the "flashback" sections until I realized that they were at least half the true focus of the story.
Ward excels in capturing the petty toxicity of a domestic environment gone sour. Especially deftly handled are the ways in which a partner can wound in such seemingly mundane ways. Many of the exchanges between Rob and her husband, Irving, come off as completely innocuous to an outsider, but to the two people in the relationship, who have the context for these seemingly nothing interactions, the full cruelty of them is on display. This adds completely believably to the tension between Rob and Callie, who has long favored her father, and who sees her mother's responses as hysterical overreactions, because she doesn't have the context that Rob does. Ward also very neatly portrays a truly vicious marriage, where both parties have given up pretending they want to be together, at least to each other, and where the entire relationship has become an unending game of oneupsmanship, trying to get one over on your spouse.
Adding to this suffocating atmosphere is Callie, a very strange 12-year-old who is starting to exhibit some very troubling behavior, particularly in her interactions with her 9-year-old sister, Annie. Rob has always struggled to connect with Callie—in contrast with Irving, who happily spoils her to force Rob to be the bad guy enforcing boundaries—but when Callie is thought to have attempted to poison Annie with Irving's diabetes medication, Rob decides it's time she and Callie have a real heart-to-heart.
So she takes Callie on a mother/daughter trip to Rob's childhood home, Sundial, an isolated family property out in the Mojave desert.
This book is at times difficult to read, because tension suffuses every page. At some point, I was waiting with baited breath for the next terrible thing someone was going to say or do. Not everyone in the book is bad, but they are all struggling, and they all do ugly and selfish and hurtful things.
The miscommunication and missed connections between Rob and Callie also felt woundingly believable, not the sort of outlandish refusals to talk that appear in less well-crafted dramas. Rob is understandably troubled by much of Callie's behavior, but she's also intolerant of any behavior that seems outside the norm, so even Callie's more harmless habits get her in trouble. Callie, at that tender preteen age, views much of her mother's scolding as an attack on her as a person, and reasonably misconstrues her mother's emotional upset as proof that she is unstable, and possibly a threat to Callie (concerns heartily reinforced by her father).
In order to give Callie clarity and context, Rob has decided to reveal the truth of her family history, which kicks off the lengthy "story-within-a-story" section about Rob's childhood and youth. Even when I grasped that this was meant to be the majority of the story, I still felt these sections dragged at times. There were more detail that necessary to explain things, and I was at times impatient to get back to Callie and Rob in the present. Still, as Rob's tale unfurls, it casts increasingly horrifying light on everyone in the family—Rob, Callie, Irving, and Rob's parents (now deceased).
The book goes some pretty twisted places, which I'll warn for because having skimmed reviews, some people definitely were not prepared for the darkness of the story. As for me, I enjoyed it, and Rob's backstory absolutely recontextualizes much of her early-book behavior towards Callie and Irving. There was cruelty in Rob's past, but there were also situations in which there just seemed to be no winning, and people doing their best but causing harm in the end anyway.
My only real complaint is about the ending. The ambiguousness of it I can forgive, because I think in the long run, it doesn't really matter whether route A or route B was the "real" ending—the pieces set on the board won't significantly change one way or the other. As Callie points out, her and Rob's lives are now both governed by the truth Callie revealed before they left Sundial. For me, it was the final twist that left a bad taste in my mouth, in part because it felt like just one twist too many, coming in what I expected to be the denouement, and because it sucks almost all of the triumph out of the final confrontation.
On the whole though, I thought Ward did a great job with the slow reveals and although I think the flashback sections could have been trimmed a bit more, it was never so bad that I was tired of the book. None of the characters here are very likeable, but boy they are trying to get through life without causing too much harm. Also, the audiobook narrator does such a good job of making Irving sound absolutely loathsome—his lines just drip with patronizing contempt. I wanted to shake him every time he spoke.
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